I went through a Mamet phase in college and read all of his plays that I could lay my hands on, and since he turned to movies I've been enjoying seeing him hit more of a balance between his characteristically stylized dialog and telling a story. While you don't get much spectacular dialog than Blake's rant in Glengarry Glen Ross (language warning: Mamet makes Quentin Tarantino sound like a schoolboy)
It seems to me that Spanish Prisoner is a better movie qua movie:
And from that point on Mamet's movies have generally balanced story and style rather than relying entirely on the latter.
Still, the author of Sexual Perversity in Chicago turns conservative? I feel like I have to read it just to find out what he's up to.
0 comments:
Post a Comment